Thursday, February 26, 2009

Be an Active Directory Expert In About 50 Easy Steps

For those of you that work with AD on a part time basis - like the millions of IT generalists out there - the Directory Services team has posted a nice entry on how to get better at it. 

It's a 4600-word blog entry on the areas you need to be well-versed in if you want to be designing and administering Active Directory. It's very thorough; he mentions "The process of building the depth of knowledge required may take years to acquire. With some help and guidance I hope to reduce this time to several months." That's the truth - this sort of thing would have been really handy for me years ago. <cranky old man with bad dentures doing a Walter Brennan impression> "When I was learning about AD, I had to listen to PDC '99 session audio tapes over and over again. There was no documentation." </cranky old man with bad dentures>

You can find it at http://blogs.technet.com/askds/archive/2009/01/30/seeing-the-domains-through-the-forest-what-you-need-to-know-to-build-your-career-in-directory-services-technologies.aspx.

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Monday, February 09, 2009

An Extraordinary Gift

On Saturday, I received an extraordinary gift from Sean Robinson, one of our newest black belts at the Okinawan Karate Club of Dallas. He presented me with a bamboo bo (six-foot staff) hand-worked in great detail with martial arts sayings in both English and kanji, figures demonstrating waza (martial arts techniques), and artwork from my life like my name and that of my extended family, other  hobbies such as archery, music - even some Irish bits!

I'm very touched and grateful to Sean (hey, us Seans Of The Correct Spelling have to stick together). But I'm especially grateful to Sean's father, Van Herron. Van is a martial artist and teacher of some 40 years' experience, and he crafted the bo as a favor to Sean. He is a member of that generation of Vietnam-era veterans who grew up in martial arts while stationed on Okinawa; some the finest martial artists this country has ever seen toiled as students in small dojos there at the same time as Van. Sean, you must be in hock to him for a loonngg time!

I've taken a number of photographs of the bo here, where you can see all the details. Take the time to read the sayings; there's a lot of good thought there.

I've also done an experimental Photosynth of the bo, which is a 3D representation created from regular 2D photos. It's 77% "synthy", which is pretty good, but it could definitely be better.

Thanks again Sean - and thank you very much Van!

Sunday, February 08, 2009

A Happy Hour

Every once in a great while, the complicated scheduling that makes up our lives just comes together perfectly...and who are we to not take advantage of the gift?

Trinity Hall is a terrific Irish pub in Dallas, down in Mockingbird Station hard by Southern Methodist University. Built by Irishman Marius Donnelly, he imported all kinds of hardware from there, so it does have the look and feel of a traditional place (and I've been fortunate enough to have sampled quite a number of them). The place plays a variety of live music, though its background sound system rock doesn't seem to match the atmosphere too much. And they do serve the Guinness at the right temperature!

On Sunday afternoons the place completes the transformation to a rural pub by playing traditional Irish folk music (aka "trad"). Unfortunately, up in Plano I can count on making it down to central Dallas on a Thursday night or Sunday afternoon maybe once a year. I don't know about you, but once in the throes of weekend projects it's a bit impractical for me to nip off to the pub a half-hour away on freeways for a quick pint. Not to mention the aforementioned projects mysteriously don't get done upon return, either.

Enter the GDYO, the Greater Dallas Youth Orchestra. My talented but unmotivated son was accepted to play with them, and so we must take him down to SMU on...every Sunday afternoon. Oh. Darn. As it happens, his rehearsal and the Trinity Hall session overlaps from 5 to 6 PM, so I can catch an hour's worth of playing. After that, the session's over and the Celtic Cinderella turns back into a piped-in pop-music pumpkin.

So, on Sunday afternoons it's off to the coal mines for me, abandoning whatever worthy project I'm working on at the time - thinning papers out of the filing cabinet, folding clothes, excavating a dead rat out of the insulation above the master bedroom closet - to take Connor off to SMU.

And if you should happen to find yourself at Trinity Hall between 5 and 6, the odds are good you'll find me somewhere near the band with a Guinness or Smithwicks and a plate of chicken curry, tapping my foot with the rest of the patrons as the session players turn out "The Hut On Staffen Island".

Tuesday, February 03, 2009

One Guy, Two Guitars, Twelve Strings, Twenty-Four Fingers

George Lucas is quoted as saying that the video of a movie is only half the experience; the audio is the other half. I was reminded of this when we saw Leo Kottke in performance last Saturday night.

For a Leo concert experience I'll reverse that quote. For you unfortunate people that have never heard of Leo, he is quite simply the grandmaster of the finger picked twelve string guitar. (Yes, I know about the late Michael Hedges, who was fabulous. Leo once said "that guy has an octopus for a left hand".) Sometimes it sounds like there are two people playing.

He has an instantly recognizable style: Technically outrageous, very rhythmic (watch his performances below; his whole body bounces up and down to his playing) but beautifully melodic.

For the other half: He's just this regular guy from MInneapolis that walks out on stage in jeans and a button down shirt or blazer with two guitars. When he's not playing a tune he has this rambling, digressing monologue with himself about the tune he's about to play, what happened to him the other day, what it was like being beaten up as the new kid in town, working in a morgue, unknowingly telling Bob Dylan what he really thought of Bob's music...the list goes on. And while he's talking to you, he's absentmindedly playing random bits with a technique that most guitarists would give both thumbs to have. He has a surprisingly gravely voice - he once described his singing as "geese farts on a muggy day" - and a very dry delivery. He's hilarious in a really unique way. He's not trying to be a comic; he's just really funny. His "LIve" CD does a pretty good job of capturing his live performance.

He performed an hour and twenty minute set with no break, playing a selection of tunes from his 40-year career. And he doesn't look that age either :). Two of my favorites are "Little Martha", and, especially, "Rings". I didn't embed it into this entry because it deserves to be seen in its own window (and be sure to switch to high quality). This is a good distillation of Leo, and he often closes with it: Monologue, humor, spontaneity, singing, musicality, technique, and sheer love for what he's doing.

He never comes to Dallas, that hotbed of folk music and college kids (not), but if he should make it to your town (like Sacramento or Denver or Olympia), don't miss him.

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Thursday, January 01, 2009

Bohemian Rhapsaround

In 1976, I was a junior in high school and riding my bike all the time. (In '76 there was no question of "mountain" or "road".) My good friend Ken Weikal and I were driving down to Columbus, Ohio in his family's big green "alligator" station wagon to join our Pine Lake Bike friends to ride in TOSRV - Tour Of The Scioto River Valley. A punishing bike rally, it goes from Columbus 105 miles south to Portmsouth Ohio, and then back the next day. Of course we all did it nearly cold. Idiots. You should have heard the screams and moans as butts hit saddles on Sunday morning. But I digress :).

Bohemian Rhapsody was in heavy rotation that summer, and Ken and I heard it constantly in the drive from Detroit to Columbus. Fast-forward to yesterday. My son Connor and I were driving across Ontario Canada, in a blinding snowstorm in the "snow belt" between London and Sarnia. We were visiting Ken that evening, and Bohemian Rhapsody was on the radio. We cranked it up and sang to it, just like Ken and I did over 30 years ago*. Kind of cool to see that sort of thing come around again :).

*Damn that makes me sound old!

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Wednesday, December 24, 2008

Mobile Me

Ahh, the holidays and house projects. With the help of a step ladder and an improvised hook / hook installer made up of a broom handle with a deep saw cut in one end (also resulting in a shallow saw cut on me), I finally installed the Hotchkiss Tri-Lumen mobile I'd bought at the Art Institute of Chicago almost a year ago.

It had been sitting in my closet since last March, because I had to move our cheesy builder's foyer light out of the way and we have about an 18 foot ceiling there. The result is attached!

Thursday, December 11, 2008

Microsoft reveals its plans for the next generation data center

...and it's way bigger than most of us are used to thinking. Have you ever stopped to consider the amount of computing power that goes behind these online search, blogging, and services that are becoming more and more of a part of our virtual landscape? I have, because I've been lucky enough to be working with Microsoft's Global Foundation Services Active Directory team. This sort of thing redefines the term "big". And not only big - highly flexible, with the ability very quickly add or remove hundreds or thousands of servers. What's not being talked about right now is how the software infrastructure (like Active Directory) must be designed to cope with this new way of "industrial scale IT". I hope to be able to shed a little light on this soon.

Here's a video about their Generation 4.0 data centers. Note in the European data center there isn't a roof!

Sunday, December 07, 2008

Microsoft Live Labs' Photosynth: 3D constructs from photos

I just stumbled across Photosynth, a very cool free product from Live Labs. You basically take a lot of photos of something - a car, a living  room, an interesting location - and Photosynth stitches it together as imagean explorable 3D view of that object. Think about it a little, and you can come up with great opportunities to convey a sense of what it's like to be in a place from photos. I just wish I knew it was available before I went to Asia. I can think of some places in Bali that would have been awesome! I think I'll try it out for family gathering over the holidays for family that can't make it.

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Thursday, December 04, 2008

Dubya's New Digs

Oh good lord.

George is moving to town in January.

And not even in some isolated, walled-off enclave of homes. He's just off the Dallas North Tollway, west of a neighborhood we once (mistakenly) thought we'd be able to afford eventually.

On the one hand, I'm depressed.

On the other hand...it can't happen soon enough!

Map image

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Thursday, November 13, 2008

Opposite Ends Of The World

Mandalay Bay Sunset

I'm speaking at Windows Connections in Las Vegas this week, and have been fortunate enough to stay at THEHotel, the upscale hotel that's an extension of the massive Mandalay Bay resort and casino complex. My room is extremely nice, and it's been great to stay here (especially because I've had to spend so much time in it tweaking presentations and demos). I can't help but contrast Vegas from my recent experiences in Bali, though. The comparisons are more obvious when you consider that the hotel has a strong Southeast Asia theme. (Mandalay is the second-largest city in Burma, though it has no bay; it's over 400 miles away from the ocean)

Simply put, Vegas is entertainment on a massive industrial scale, and is cold and impersonal. The decor is gigantic, oversized, and mass-produced. The heavily-recirculated air is scented with a special scent unique to the hotel.

Bali is small, personal, and very warm-hearted. Its decor is human-scale and handcrafted. Its air is tropical, open to the world, yet scented with incense everywhere. It's the original from which places like the Mandalay Bay attempt to imitate.

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Sunday, November 09, 2008

How Citibank World MasterCard Took Me For a Ride

Dear Citibank World MasterCard:

See that "World" in the title? You need to take this to heart, especially when it comes to your office hours.

I was in a teeny little village in rural Bali, in a family silversmith DSC_0439shop. Bali is well known for its craftwork, and silversmithing is  part of it. Trying to pay for my purchase with your CitiBank World MasterCard because it's more than I was carrying in cash, to my surprise the card was declined. When, with considerable trouble and help on the part of the shop owner, I was able to call the international collect number the operator told me that their customer systems were down for scheduled maintenance and nothing could be done for a couple of hours. It may have been late Saturday night for the States but hey! it was the middle of Sunday afternoon for me.

We'd wasted a considerable amount of time trying to connect, then being left on hold, and my last free day on Bali - very possibly for the rest of my life - was ticking away because of MasterCard service issues. Dewa Rai (my guide) and the shop people came up with the idea of getting me to a local ATM and maybe I could withdraw enough cash for it. Good idea - until I realized he wasn't going to drive me.

Instead it was the silversmith's son taking me on the back of his motorbike, one of probably 50,000 motorbikes on Bali. We're just starting to see more of these in the States with rising gas prices: less than a full-blown motorcycle, more than a moped, by all the major Asian manufacturers like Honda, Suzuki, Kawasaki, etc. And they all have a little handle on the back for tall foreigners to hang on to for dear life.

We went zipping down the street, no helmets or eyegear, diving into traffic, taking narrow scooter paths and side alleys, passing slower scooters laden with everything from cases of soft drinks to chickens in cages. Once I accepted the inevitable, and stopped thinking about what it would be like to be injured in a helmetless cycle crash in rural Indonesia, it was great fun! I still haven't surpassed the story of my very blond niece pushing her bicycle through mud roads in the dangerous Southern Phillippines - nor do I intend to - but it's the unexpected, off-the-schedule trips that make the travel worthwhile.

For all that, when we arrived at the ATM it wasn't on my network! So back we went to report no joy. By now the MasterCard systems were back up, but you left one last wrinkle for me. Turns out my credit card was frozen because of some real fraud on it - good for you for catching it! For me to complete my transaction I had to talk to the security office - which was closed! Bad for you! It may be late at night in the States, but it's a WORLD MasterCard, remember? It was 2:30 PM on a Sunday afternoon for me!

We gave up. I put down a deposit on the jewelry with what cash I had, and the silversmith scootered into Ubud the next morning with the goods where I paid the balance (also in cash). That morning I was able to put my four day's hotel bill on the MasterCard by talking to the security office just before they closed for Sunday night back home. If I hadn't learned the office hours from the previous day's adventures, I would probably have tried to pay, missed the office hours, and had to suddenly scrape up the cash for the bill before dashing off to the airport.

So...when I see those "anywhere in the world" Citibank commercials, I now know better. And seeing as how you just announced you're laying off 53,000 people, I don't expect that I'll be seeing any improvements in office hours soon.

Regards,

Sean

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Friday, November 07, 2008

No, I haven't read Eat Pray Love

I specifically avoided it to get an unbiased view of Bali and its people. I'm curious, of course. I'm sure that whichever script writer for Star Trek: The Next Generation came up the pleasure planet of Raisa, they had visited Bali. I hadn't even been here at the time, but it made me think of this place.

I was fortunate enough to spend about three and a half days there. Very little time in all, but enough to come up with a sense of the people, Ubud, and a bit of the rural life. The fact I didn't go to Kuta and its surrounding areas has no bearing on my ideas, because they aren't the real Bali; they're tourist havens of hotels, discos and mini-marts.

To me, Bali's magic is a combination of

  • Its people. They really are kind, and friendly, and like to Dewa Rai, owner of Bali Nature Toursmake you happy. From the hotel manager right down to the guy sweeping the flowers off the stones, everyone calls out and says hello, how are you - and means it.
  • Their religion, which permeates everything they do, and even scents the air.
  • Its tropical, open-air sensibility - as few walls as possible, I would call it.
  • Its value. The US dollar goes a long way in Bali; you can stay in accommodations around Ubud that would be four or five times as expensive in, say, Hawaii.
  • Its handcrafted attention to detail. The tourist accommodations and restaurants around Ubud are beautifully designed, and everywhere you look there's handcarved wood, or stone, or thatch, or furniture. Sometimes it's overwhelming.

They're still a poor people of course; you can't blame them for trying to make a buck, er, rupiah, off of tourists that can afford it.

I've posted a lot of photos to http://picasaweb.google.com/sean.deuby, to add images to my descriptions.

Sunday, November 02, 2008

"All The Best On Tuesday"

The world is watching our elections. On this trip I've talked to Balinese, regular Indonesians, Australians, Lebanese, and Malaysians, and without exception they're very interested in the campaign and the upcoming elections. To a man or woman, they all hope Obama will win. More generally, they hope America will repair its reputation as a citizen of the world.

A Malay expressed his deep admiration for America, for it's creativity, its culture, its entertainment. He was pretty emotional about it. The Lebanese woman was surprised and tickled I was so frank about how badly we've represented ourselves to the world. (This is not a good summary of our 20 minute chat. It was lovely and positive.) And the Australians, well, they wished us all the best on Tuesday.

I hope Obama wins. I think this will signal to the rest of the world that America has reacted against (among other things) the damage the present administration has done to its reputation in the world. It's my understanding they'll hope we are returning to the America they knew, and give us the benefit of the doubt for a little while to prove it.

I'll be standing in line on Tuesday. All the best.

Thursday, October 30, 2008

You know you aren't in Kansas any more, Dorothy...

...when you stumble over a basket of these at the woodcrafts DSC_0046shop. Very common. Gives me second thoughts about cracking open a beer...

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Balinese massage

A Balinese massage, at least the therapeutic type*,  is much like a  regular massage, except it's in Bali :). I know that sounds obvious, DSC_0223but that's my experience. "In Bali" is significant, by the way. That means a little thatched roof hut with roll-down bamboo curtains. Oh, and WAY cheaper; the going rate, if you aren't being gouged by a high-end tourist place, is about $7.50 per hour. No, I didn't goof on the decimal place. I didn't have to check back on my college degree to figure this one out: after my first massage I immediately scheduled one for the next day. I ran out of time, but I'd have one every day if I was staying there longer.

* Stay away from the reflexology kind over here; I had one in Shanghai (at the Shangri-La, not some dump) years ago and it put me in so much pain I couldn't believe it. And I didn't have some sensation in a couple of fingers for a day or so!

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Tuesday, October 28, 2008

Offerings

Everywhere I've been in Bali (except the rice fields), there's a light scenting of incense. This is because the Balinese make offerings DSC_0074 everywhere: Doorways of homes, restaurants, shops, all kinds of places. These are usually simple straw and incense affairs, with rice or another simple food as the offering.

I need to be making my offerings, too, to Dr. Blake Bolin and his prescription of Levaquin. I'm sure it's saved me from "Bali Belly" more than once. I remember fervently thinking this when Dewa  Rai offered me the water from a fresh-cut coconut in front of the cow shed near his father's house.Cow Barn

I also have a nifty sterilizer pen which sanitizes clear water of unknown purity...but it's the meds that have allowed me to feast without being too worried.

Saturday, October 25, 2008

It's hard to get away from Texas

I thought I'd finally done it. In talking to the shop people and service staff at the hotel here in Ubud, most of them had never heard of Texas or Dallas. I was thinking I'd finally come far enough.

Tonight I watched the Legong dance at the Ubud Water Palace, a very pretty place indeed. From there I went with an acquaintance I met at the restaurant beforehand - a Netherlander who'd DSC_0114 traveled much of the world in the last year - to the Jazz Cafe, to my knowledge about the only live music venue in Ubud. After some confusion about the location we finally made it there.

Shortly after we paid the 25,000 rupiah (about $2.80) cover charge the band began playing. First it was Lynrd Skynrd's "Sweet Home Alabama". Then some Beatles covers. Finally they started into a classic blues progression, and I thought, "So they're finally getting close to jazz". And it turned out to be "Texas Flood". A pretty mediocre version of it, too, but I'm spoiled with the Stevie Ray Vaughn version. And then a John Lee Hooker / ZZ Top medley of "La Grange"! As soon as I got back to my bungalow I just had to play the original.

Friday, October 24, 2008

Shopping in Ubud

After getting a civilized amount of coffee into me (and a beautiful breakfast served on my balcony), the hotel dropped me off into Ubud, 10 minute's drive north. Shops, warung (restaurants), more shops. All cheek-to-cheek on Monkey Forest Road,

DSC_0127 Hanuman road, Jaya road. Very interesting! and layers and layers of detail in many of these places. An enormous amount of handcrafting in the buildings themselves, and of course in the wares being sold.

Also an enormous amount of competition. It seems as if  you don't have anything better to do you call yourself a taxi driver. In Ubud I'm asked every 30 feet if I need a taxi. Your average guy must get a fare about once every two weeks. At least they're friendly, the people are great.

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Outward to Bali

As of this writing, I've been traveling for 36 hours nonstop on about 3 hours of sleep plus catnaps. I'm waiting in the (anemically) air conditioned departure lounge for my Air Asia flight from Jakarta, Indonesia to Denpasar, Bali (which is also Indonesia). I'm in Indonesia and Malaysia to give some Microsoft training, and am taking advantage of my proximity to Bali to visit that fabled island.

The low-cost airline canceled my earlier flight for an unspecified reasons - probably not enough people on it - and delayed my flight to 7:50 PM. So unless the driver for my hotel checks that the flight has been cancelled, he'll have probably given up and I'll have to find a taxi to take me to Ubud, the little cultural village in south-central Bali. None of my gadgets, including my supposedly world-enabled GSM 3G AT&T Tilt phone, has any kind of signal at all to call the hotel. This means I won't get to the hotel until probably midnight for a total of 42 hours, obliterating my previous personal record of 28 hours to Singapore. Hope they leave the light on.

Of course, that would be IF I actually had the hotel's address and phone number. Hey, I had a LOT of details to put together!

All things considered, the outbound trip has gone really well. The big things like my rollaboard showing up in the Jakarta airport after following me about 8,000 miles. And I haven't left any of DSC_0006 those little important things - passport, wallet, camera bag - at any of the thirty places I've probably sat down. The fact I'm traveling business class really does make a difference over the long haul of a 14 hour flight from San Francisco to Hong Kong. The upper deck of a Cathay Pacific 747 is very futuristic; I feel like Yeoman Rand (I'm dating myself here) should be serving me a coffee or something. It's like a narrow little cubicle farm, only with personal video and really good wine.

I suspect Friday will be a low-key day for me!

*Update* Total time to my hotel: 46 hours. All but 2 hours was waiting for Air Asia, which was delayed another hour. This caused me to be a total of 3 hour's later than the hotel was expecting to pick me up. So more waiting ensured to get that straightened up (image: sitting at the Bali airport pickup area at 1:30 AM, chatting up a taxi driver to kill the time). You can bet I'll never fly them again.

The good news is that the night sounds at my room - which overlooks hundreds of acres of rice fields - are amazing. I recorded 10 minutes of it last night with the teeny Belkin iPod recorder plug-in and will edit it into an MP3. A chorus of frogs, crickets, thunder in the distance…I could put it on a CD and charge for it.

*Update to the update* And Friday wasn't that low-key a day. I recommend using melatonin for timezone-shifting.

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Monday, October 06, 2008

The Superdrome


As you get older, I've found it takes more of an effort to physically challenge yourself, push your comfort zone, in that in way where the front of your brain says "You can do this. Lots of people do this." while the back of your brain is saying, "OH CRAP! WHAT THE HELL ARE YOU DOING????" Bungee jumping certainly falls into this category, but I've just never seen the point behind it. If I want to challenge myself, I at least want to get something out of it. Then there's the Superdrome.


Literally 10 minutes' drive from my house, the Frisco Superdrome has beckoned me for 10 years. The Superdrome is a world class bicycle racing track, a velodrome, 250 meters in circumference. In its heyday it was the fastest outdoor low-altitute track in the world. People come from all over the country to train on it. It's open to the public once you've taken an orientation class. 10 minutes away, and I'd never ridden it.


I'm not completely inexperienced on a bicycle track. About thirty years ago a wooden "portable" indoor track was set up at Michigan State University; I used to ride it on one of the stock bikes they provided with tennis shoes and toe clips & straps. I still remember how tired my legs were, and how cool it was to ride at the top of the curve, then peel off like a fighter plane into the sprinter's lane at the very bottom of the track. The Superdrome would be like this, only...bigger.


I've finally been riding a respectable amount - at least considering how much traveling I've been doing - and felt like I was doing well enough to not embarrass myself at one of the Frisco Cycling Club's Superdrome's development classes. Plus, I hoped my MSU experience - done when I was young and fearless - would remind the back of my brain that it can be done.


So today, on a sunny and beautiful (though windy) 80 degree fall day I took the orientation class. If you aren't familiar with bicycle track racing (It's more popular than curling, I imagine, but probably not much), there are plenty of things in it to push your comfort zone.


First, any bike track is an intimidating place, and the Superdrome is more than most. To get bicycles around a 250 meter ellipse at speed, the turns at each end are banked. Sharply. They are 25 feet tall and banked at a 44 degree angle. You have no idea how steep that is until you see it, let alone ride on it. I don't think you can even scramble up it on foot. I'm supposed to ride on that?? ("Oh crap, oh crap...") Even the straightaways are banked at a 17 degree angle.


Second, you ride on a fixed gear track bike. No road bikes allowed. That means when the wheels move the pedals move just like the Big Wheel you had as a kid - no coasting.


Third, no brakes. No, I'm not kidding. You speed up by riding harder, and slow down by pushing back on the pedals on the upstroke. On the track, the combination of fixed gears and no brakes is actually safer than a road bike because it means it's much harder for riders to suddenly speed up and slow down ("brake check") and cause the riders behind them to pile up and crash. And you don't want to crash on a bike track. Every rider there comes from the road, and is familiar with a road crash. Now imagine plywood instead of concrete, plywood covered with a sticky kind of paint to help your tires stick on the banks. This means that if you you're really lucky in a crash, you only get a serious case of road rash from the sticky paint and sliding down the track and don't get injected with splinters as well. And it may well be a three-dimensional crash; I don't even want to think of the consequences of riding too slow, catching a pedal, or bumping into someone high up on those banks.


Fourth, you ride tucked over with your hands on the bottom of the handlebars all the time, bent way over compared even to most racing bikes. No brakes means no brake hoods to put your hands on; most track bike handlebars aren't even shaped to allow you to your hands comfortably anywhere but on the hooks. It feels like your chin is a hood ornament, way more than that sensation on a road bike.


Fifth, there are a lot of rules, meant to keep everyone safe on a relatively small riding area with potentially a lot of riders. Stay above the blue line unless you're "doing an effort" on the sprinter's lane. Stay out of no man's land (the middle third of the track width) unless you're crossing into or out of the sprinter's lane. Always pass to the right (up track), never to the left. Tell the rider you're passing to "stay!" so they know you're coming by and they should hold their line. Keep up a minimum speed of at least 15 MPH on the turns if you want to remain on them (see "crashing" above). Oh, and keep looking over your shoulders while bent over and zooming around those 44 degree banks so you can see those fast riders are and don't cross into someone barreling down the track at 35 MPH in the sprinter's lane. While riding your lungs and legs out, by the way.


But walking into the Superdrome infield for the first time is very cool, especially if you're used to watching races in the grandstands. You enter through a tunnel that goes under the track and up into a rider's area with canopies, benches and a LOT of bike racks. And all around you cyclists are moving around the track, or around the apron, or in the small warmup ring. It's a little like walking out onto a football field...if the football players were constantly circling around the stands at 20 MPH. I imagine it's kinda like a slow-speed, quiet NASCAR. Without the RVs. And beer. And...well, okay, not much like NASCAR.


In the class, the instructors first get you riding around the infield to get used to the bikes and gearing. Then they have you play "follow the leader" as they ride on the apron, then up onto and down off the track on the straightaways, avoiding the turns. After a few of these, he speeds up and heads straight into the turn in the sprinter's lane (about 3 feet above the flat apron.


This is where the rear-brain OH CRAP! hits me full bore. My heart rate is about 30% higher than it normally would be (and I'm already riding fairly hard), I'm talking to yourself ("you can do this, you have done this before...") and I'm trying to steer in a "straight" line by following the painted lines and the cyclist in front of me. My eyes tell you it can't work...but it does. Though having the panicky cyclist in front of me slow down doesn't help things any (see "advantages of no brakes" above). After a few laps of that I start to relax, slightly, and release the death grip I have on the handlebars. We all come off the track and high-five each other on surviving our first few laps.


The next time we get onto the track, we start low on the sprinters lane, then work up to the blue line about halfway up the track. NowThe sprinter's lane we have the fear of falling compounded by the fact we're about 12 feet in the air. Finally, he takes us around the very top of the track where we're WAY up there - plus we peek out of the velodrome's protection and batted around by the wind a little.


I finished up the sessions with some high circuits and some efforts down in the sprinter's lane. A great day! Re-capturing some of my old skills, challenging myself both physically and mentally...and most importantly, not crashing :).